A Freaky Night in Tunisia

For this radical new look at a Dizzy Gillespie classic, I've used another effect that gives the trumpet a wide range of sounds. By using a "wah-wah" effect, I change the tone of the trumpet by the amount of air I blow into the horn.

Because I've already been asked by lots of people - this solo was recorded WITHOUT editing multiple 'takes' together and without any other manipulation such as speeding the solo up. I used circular breathing to play the extended passage. To dispel any doubts, you'll just have to see it live....

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